She works with artists, curators, brands, and institutions to translate creative values into live experiences and sustainable systems. Clients include Monteverde Productions, School for Poetic Computation, hoodmidcenturymodern, and more.
She is a board member at Wendy’s Subway and Speciwomen, and serves on Facade Foundation’s Advisory Council.
Notable past positions include time at Metalabel; ensuring as Community Manager its growing network remained celebrated and interconnected, and a six-year tenure at The Kitchen; building mission-driven partnerships, projects, fundraising strategies, and curated platforms that celebrate and better resource experimentation. Partners and collaborators include Justin Allen, ALMA Communications, Angel Bat Dawid, Sterling Juan Diaz, Rhea Dillon, Études Studio, Kassa Overall, Pacific, SHIRT, Immanuel Wilkins, among others.
Further prior work spans The Lower Manhattan Cultural Council, Arts Student League of New York, The Watermill Center, the Fort Greene Park Conservancy, and forays in radio and venue curation.
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- How Institutions Think, Mary Douglas (1986)
- “sound as a representation of something that was,” L’Rain (2019)
- Siren Kings of New Zealand
- “The difference between a speaker and a weapon is discretion and intention,” Siren Mode, Jeremy Toussaint-Baptiste (2024)
- If You Don’t Watch The Way You Move, Kevin Jerome Everson (2023)
- anyone can be a student (ongoing)
- “a fiction is where black(ened) bodies are formed to ground and thereby justify the logics of subjugation that produce exponential gains for those who (re)produce(d) the fiction. Yet. the same blackened (no)bodies whose “belonging” lie “londed in a metaphor” remain unseen, beyond the transcendental light of comprehension – eluding real capture from the horrifying logics of value that attempt to categorically define them.” Sarah Lewis-Cappellari, Discordant Harmondies: Resonance as Dramaturgy in Ligia Lewis’ Black Diasporic Art, Movement Research Performance Journal #61 (2025)